The Cambridge Handbook of the Psychology of Aesthetics and the Arts
The psychology of aesthetics and the arts is dedicated to the report of our experiences of the visual arts, music, literature, film, performances, architecture and pattern; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the fundamental concepts and theories of the subject where readers can acquire about the questions that are being asked and get acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is i of the oldest areas of psychology simply it is too ane of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field.
'This book is a pregnant contribution to furthering our agreement well-nigh the importance and value of aesthetics within unlike art forms and contexts. Information technology has cross-disciplinary entreatment and helps to promote both theoretical evolution and applied research, while opening the study of aesthetics to a broader audience.'
Paul M. Camic - Salomons Center for Applied Psychology, Canterbury Christ Church building Academy, Kent
'This volume is impressive in both its breadth and depth. I work in this area, yet I learned something from each and every chapter virtually the psychology of aesthetics and art, and - perhaps more importantly - how aesthetics and art contribute to the human condition. This volume will be kept on my desk so I can have like shooting fish in a barrel admission to it!'
Jonathan Plucker - Raymond Neag Professor of Instruction, University of Connecticut
'This book brings together important scholarship and groundbreaking methodological approaches for understanding the fundamental question of how and why art moves united states of america. Although an private'southward experience of art is inherently subjective, these collected essays draw on inquiry in psychology and aesthetics to bring new insights to a topic that historically many scholars in the field had considered too indefinable to clarify or quantify.'
Kathryn Potts - Helena Rubinstein Chair of Education, Whitney Museum of American Art
Contents
Contents
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Copyright page
pp iv-iv
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Dedication
pp v-vi
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Contents
pp vii-ix
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Figures
pp x-xiv
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Tables
pp xv-xv
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Boxes
pp xvi-sixteen
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Contributors
pp xvii-xxvi
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one - Introduction past the editors
pp 3-5
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five - Aestheticsassessment
pp 86-112
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7 - Psychodynamics and the arts
pp 139-166
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8 - Evolutionary approaches to art and aesthetics
pp 167-194
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ix - The walls do speak: psychological aesthetics and themuseum experience
pp 195-218
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PART Iii - Objects and media
pp 219-478
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15 - Artseducation,academic achievement and cognitive ability
pp 364-384
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eighteen - An aesthetics ofliterary fiction
pp 447-478
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